BUXHETI I KOSOVES 2011 PDF

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Ligjeruesit ne Program Publik ishin: With this press release Mr.

One of the initial visions and objectives was to transform the NGK into a gallery that in line with the spirit of contemporary trends and standards and for it to become a centre of art in Southeast Europe and why not even farther. Today we can freely say that the National Gallery of Kosovo is recognised and presented internationally, thanks to the world-renowned international curators and artists who curated, exhibited, and lectured at the NGK during the last four years.

Another objective vuxheti we accomplished is the restructuring and enrichment of the general programme of the NGK. This was done through an idea which was based kosobes three stages:.

We thought koskves this was important, since their work has never before had a worthy presentation, or one that the work truly deserved, this was because they were neglected by bbuxheti system and because their creative work had gone kosovea different stages and periods of the difficult political situation through which Kosovo went through, and as a result of which their exhibition and evaluation had remained in the shadows.

There is an entire generation of young people who had never had the chance to see the extraordinary work of these artists who make up a valuable artistic kosovees of this country. The second stage consisted of exhibiting artists who are in their second period in their careers, and who are still relatively young but have created enough work to have a worthy exhibition at the National Gallery, such as the artist Sokol Beqiri and the photographer Lala Meredith Vula, as well as the cartoonist Nexhat Krasniqi Nekra.

During the last years, through the NGK, young artists also had the opportunity to meet with international curators and artists who curated exhibitions, lectured, or visited the National Gallery of Kosovo, during which artists had the opportunity to present their portfolios with the possibility to take part in international exhibitions.

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“Beneluksi Ballkanik”, ide utopike

Another objective was to build full transparency of all NGK activities, by informing the public through regular press conferences and answering all questions of the media related to the NGK — this we believe had an effect in making the Gallery more accessible to people and resulted in an increased number of visitors. During the last four years openings of exhibitions at the NGK have become a meeting place for different citizens, art-lovers, representatives of the media, various public personalities, and diplomats who had the chance to meet and exchange different opinions on art and society.

The call for personal and collective exhibitions was opened for kosovws first time inand continued for each September until this year, through which artists had the chance to compete for exhibiting, and through which later on they would become part of the annual programme of the NGK.

For these exhibitions, international curators who are acclaimed in the contemporary art scene in the world were invited, such as the curator and director of the Van Abbemuseum, Charles Esche, the bkxheti and director of the Israeli Center for Digital Art in Holon, Galit Eilat, the curator Corinne Diserens, the photographer and curator Christine Frisinghelli, as well as the kosovws at the Artistspace New York, Richard Birkett, who, with their bbuxheti concepts selected for each edition international and local artists and kosovves extraordinary exhibitions.

The lecturers at the Public Programme were: The most visited exhibition was the retrospective exhibition of renowned Kosovar artist Muslim Mulliqi, with visitors in total. The exhibition was organised to mark the sixth anniversary of the independence of the Republic of Kosovo. Meanwhile, the planned exhibition of Isak Kosves has been put on hold due to Mr.

Of the budget allocated forI would like to stop here and thank all our donors and partners who during the last four years have contributed and made it possible for the projects and exhibitions of the NGK to be of a high quality. In addition, I would like to wholeheartedly thank all the local and international collaborators, staff of the National Gallery of Kosovo and especially the citizens who during these four years have continuously supported us.

Of course there still much work to be done. Though the conditions are not the most favourable, NGK has worked during the last years especially in creating an adequate space for the works that are in the collection.

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“Beneluksi Ballkanik”, ide utopike – Telegrafi

During the last years, minimal renovations of the buxhefi and its infrastructure were made in order to maximise the space and modernise the ventilation and heating installations that are necessary for the work to be preserved according kosovez required standards. The collection is now in good condition, however, a larger space that meets all standards necessary for the preservation of these works is needed. Secondly, another idea that did not come to fruition was the creation of an additional space at the NGK which would serve as a cafeteria and a small library — an idea that is not an invention of mine but that is practiced in many galleries around the world.

Lastly I would like to say that even though it was a very tiring and stressful period — it was nevertheless an honour to be at the head of the National Gallery of Kosovo, which is the most important institution for visual arts in Kosovo.

This is also the reason why four years ago I decided and accepted to be director of the NGK, and thus sacrifice four years my work as an artist, in order to take over this duty because I believe in its importance.

Këshilli Gjyqësor i Kosovës – Wikipedia

I do not ksooves my work and efforts at the Gallery in any way as a contribution to politics or power, but as a contribution to art, society and the state of Kosovo in general. I think that whoever takes the responsibility of director of buxueti NGK in the future will need to work a lot and to be sincere in his or her work. I believe that during the last four years, with our tireless work and our determination we have managed to, in nothing else, raise the standards and whoever comes in the future to lead this institution will be faced with higher expectations.

And this, I believe, is a success. Sections of this page.

Email or Phone Password Forgot account? This was done through an idea which was based on three stages: During these four years the National Gallery has had 30, visitors in all exhibitions.